John Coltrane “My Favorite Things (2)”

Discographic Information

Instrument ss
Total Duration 139.9 s
Position in Track 09:56-12:16
Album Title The Heavyweight Champion - The Complete Atlantic Recordings CD 4
Label Atlantic Records (8122-71984-2/4)
Recording Date 1960-10-21
Line Up John Coltrane (ss); McCoy Tyner (p); Steve Davis (b); Elvin Jones (dr)
Style POSTBOP
Key E-maj
Signature 3/4
Groove/Feel SWING
Tonality Class MODAL
MusicBrainz ID 4715b9e2-849a-4849-b32c-8e1f07311572
More Info Wikipedia

Piano Roll

../../_images/PianoRoll_JohnColtrane_MyFavoriteThings-2.jpg

MIDI

Download MIDI File

Transcription

Chord changes of solo:

A1: ||Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  |Ej7  ||
I1: ||Ej7  |NC  |NC  |NC  ||

Statistics

Features

Number of Notes 723  
Number of Bars 139 bars  
Number of Choruses 1  
Mean Tempo 178.9 (MEDIUM UP)  
Event Density 5.17 Notes/s  
Metrical Event Density 5.2 Notes/bar  
Median Swing Ratio 1.67:1 Ratio of longer to shorter eighth of beats with binary subdivision.
Metrical Centroid 1 Mean concentration of events in the bar, rounded and normalized to 4/4.
Syncopicity 35.4 % Share of syncopated notes.
Ambitus 59-87 (28) Min/max and range of MIDI pitches.
Extrema ratio 50.2 % Share of notes with direction reversal (i.e, minima and maxima of pitch contour).

Extended Chordal Diatonic Pitch Class Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_CDPCX_hist.png

Extended Chordal Diatonic Pitch Class is calculated in reference to the underlying chord.

Pitch Class Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_PC_hist.png

MIDI Pitch Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_PITCH_hist.png

Semitone Interval Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_INT_hist.png

Refined Contour Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_FUZZYINT_hist.png

Also known as “fuzzy intervals” or interval classification. See here for definition of classes

Metrical Circle Map (N=48) Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_MCM_hist.png

Metrical circle maps divides the bar duration into equal sized bins (48 in this case) and maps metrical positions to the corresponding bin. (Labels normalized to 4/4 measure).

Duration Class (Abs. and Rel.) Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_DURCLASS_hist.png

Relative duration classes are based on the duration of the beat. Absolute duration classes are based on 120 bpm. See here for a definition of classes.

Midlevel Analysis Main Types Histogram

../../_images/JohnColtrane_MyFavoriteThings-2_MLA_hist.png

Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper

More Info