Chris Potter “Pop Tune #1”

Discographic Information

Instrument ts
Total Duration 308.5 s
Position in Track 07:58-13:06
Album Title Follow The Red Line: Live At The Village Vanguard
Label Sunnyside Records (SSC 3075)
Recording Date 15.-17.2.2007
Line Up Chris Potter (ts); Adam Rodgers (git); Craig Taborn (electric p); Nate Shmitz (dr)
Style FUSION
Key G-min
Signature 4/4
Groove/Feel FUNK
Tonality Class MODAL
MusicBrainz ID 73fc185d-9d29-419a-97b7-cda002317dcc
More Info Wikipedia

Piano Roll

../../_images/PianoRoll_ChrisPotter_PopTune#1.jpg

MIDI

Download MIDI File

Transcription

Chord changes of solo:

A1: ||G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |G-7   |Bb-7   |Bb-7   |G7   |G7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   |G-7   |Bb-7   |Bb-7   |G-7   ||

Statistics

Features

Number of Notes 1353  
Number of Bars 140 bars  
Number of Choruses 1  
Mean Tempo 108.6 (MEDIUM SLOW)  
Event Density 4.39 Notes/s  
Metrical Event Density 9.69 Notes/bar  
Median Swing Ratio 1.08:1 Ratio of longer to shorter eighth of beats with binary subdivision.
Metrical Centroid 3 Mean concentration of events in the bar, rounded and normalized to 4/4.
Syncopicity 39.2 % Share of syncopated notes.
Ambitus 44-87 (43) Min/max and range of MIDI pitches.
Extrema ratio 47.4 % Share of notes with direction reversal (i.e, minima and maxima of pitch contour).

Extended Chordal Diatonic Pitch Class Histogram

../../_images/ChrisPotter_PopTune#1_CDPCX_hist.png

Extended Chordal Diatonic Pitch Class is calculated in reference to the underlying chord.

Pitch Class Histogram

../../_images/ChrisPotter_PopTune#1_PC_hist.png

MIDI Pitch Histogram

../../_images/ChrisPotter_PopTune#1_PITCH_hist.png

Semitone Interval Histogram

../../_images/ChrisPotter_PopTune#1_INT_hist.png

Refined Contour Histogram

../../_images/ChrisPotter_PopTune#1_FUZZYINT_hist.png

Also known as “fuzzy intervals” or interval classification. See here for definition of classes

Metrical Circle Map (N=48) Histogram

../../_images/ChrisPotter_PopTune#1_MCM_hist.png

Metrical circle maps divides the bar duration into equal sized bins (48 in this case) and maps metrical positions to the corresponding bin. (Labels normalized to 4/4 measure).

Duration Class (Abs. and Rel.) Histogram

../../_images/ChrisPotter_PopTune#1_DURCLASS_hist.png

Relative duration classes are based on the duration of the beat. Absolute duration classes are based on 120 bpm. See here for a definition of classes.

Midlevel Analysis Main Types Histogram

../../_images/ChrisPotter_PopTune#1_MLA_hist.png

Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper

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