Dizzy Gillespie “Blue ‘n Boogie”

Discographic Information

Instrument tp
Total Duration 57.0 s
Position in Track 01:22-02:19
Album Title Jazz Gallery, Dizzy Gillespie, CD 1
Label BMG/Makin’ Friends records (74321 14165 2)
Recording Date 1945-02-09
Line Up Dizzy Gillespie (tp); Dexter Gordon (ts); Frank Paparelli (p); Chuck Wayne (g); Murray Shipinski (b); Shelly Manne (dr)
Key Bb-maj
Signature 4/4
Groove/Feel SWING
Tonality Class BLUES
MusicBrainz ID e81617e6-a61c-439f-9a48-353120afd6c1
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Piano Roll



Download MIDI File


Chord changes of solo:

A1: ||Bb7   |Bb7   |Bb7   |Bb7   |Eb7   |Eb7   |Bb7   |Bb7   |C-7   |F7   |Bb7   |Bb7   ||



Number of Notes 305  
Number of Bars 48 bars  
Number of Choruses 4  
Mean Tempo 204.4 (UP)  
Event Density 5.35 Notes/s  
Metrical Event Density 6.29 Notes/bar  
Median Swing Ratio 1.67:1 Ratio of longer to shorter eighth of beats with binary subdivision.
Metrical Centroid 4+ Mean concentration of events in the bar, rounded and normalized to 4/4.
Syncopicity 20.3 % Share of syncopated notes.
Ambitus 61-90 (29) Min/max and range of MIDI pitches.
Extrema ratio 41.6 % Share of notes with direction reversal (i.e, minima and maxima of pitch contour).

Extended Chordal Diatonic Pitch Class Histogram


Extended Chordal Diatonic Pitch Class is calculated in reference to the underlying chord.

Pitch Class Histogram


MIDI Pitch Histogram


Semitone Interval Histogram


Refined Contour Histogram


Also known as “fuzzy intervals” or interval classification. See here for definition of classes

Metrical Circle Map (N=48) Histogram


Metrical circle maps divides the bar duration into equal sized bins (48 in this case) and maps metrical positions to the corresponding bin. (Labels normalized to 4/4 measure).

Duration Class (Abs. and Rel.) Histogram


Relative duration classes are based on the duration of the beat. Absolute duration classes are based on 120 bpm. See here for a definition of classes.

Midlevel Analysis Main Types Histogram


Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper

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