Kenny Dorham “Punjab”

Discographic Information

Instrument tp
Total Duration 110.7 s
Position in Track 03:21-05:12
Album Title In’n’Out
Label Blue Note (BST 84166)
Recording Date 1964-04-10
Line Up Kenny Dorham (tp); McCoy Tyner (p); Richard Davis (b); Elvin Jones (dr); Joe Henderson (ts)
Key D-chrom
Signature 4/4
Groove/Feel SWING
Tonality Class COLOR
MusicBrainz ID 203c779e-6dc7-4f88-b4ae-388a24ae132d
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Piano Roll



Download MIDI File


Chord changes of solo:

A1: ||Dj7   |Dj7 Bb7 |Bj7   |Abj7   |Fm7b5   |Bb7   |Ej7911#   |Ej7911#   |Ej7911#   |Ej7911# Eb7 ||
B1: ||Abj7   |G7913   |Gb7913   |Cbj7 F7 |F7   |F7   |Gj7 Aj7 |Bj7 Cj7911# ||



Number of Notes 477  
Number of Bars 71 bars  
Number of Choruses 4  
Mean Tempo 154.9 (MEDIUM UP)  
Event Density 4.31 Notes/s  
Metrical Event Density 6.69 Notes/bar  
Median Swing Ratio 1.81:1 Ratio of longer to shorter eighth of beats with binary subdivision.
Metrical Centroid 3 Mean concentration of events in the bar, rounded and normalized to 4/4.
Syncopicity 41.5 % Share of syncopated notes.
Ambitus 58-88 (30) Min/max and range of MIDI pitches.
Extrema ratio 42.3 % Share of notes with direction reversal (i.e, minima and maxima of pitch contour).

Extended Chordal Diatonic Pitch Class Histogram


Extended Chordal Diatonic Pitch Class is calculated in reference to the underlying chord.

Pitch Class Histogram


MIDI Pitch Histogram


Semitone Interval Histogram


Refined Contour Histogram


Also known as “fuzzy intervals” or interval classification. See here for definition of classes

Metrical Circle Map (N=48) Histogram


Metrical circle maps divides the bar duration into equal sized bins (48 in this case) and maps metrical positions to the corresponding bin. (Labels normalized to 4/4 measure).

Duration Class (Abs. and Rel.) Histogram


Relative duration classes are based on the duration of the beat. Absolute duration classes are based on 120 bpm. See here for a definition of classes.

Midlevel Analysis Main Types Histogram


Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper

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