Ornette Coleman “Ramblin’”

Discographic Information

Instrument as
Total Duration 134.1 s
Position in Track 00:35-02:49
Album Title Change of the Century
Label Atlantic Records (7567-81341-2 (ursp. Atlantic 1327))
Recording Date 8-9.10.1959
Line Up Ornette Coleman (as); Donald Cherry (p-tp); Charlie Haden (b); Billy Higgins (dr)
Style FREE
Key  
Signature  
Groove/Feel SWING
Tonality Class FREE
MusicBrainz ID d58bbd22-77c3-4482-b4a0-90b3a7dd164f
More Info Wikipedia

Piano Roll

../../_images/PianoRoll_OrnetteColeman_Ramblin'.jpg

MIDI

Download MIDI File

Transcription

Chord changes of solo:

A1: ||D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|D7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7|G7||

Statistics

Features

Number of Notes 474  
Number of Bars 450 bars  
Number of Choruses 1  
Mean Tempo 201.3 (UP)  
Event Density 3.53 Notes/s  
Metrical Event Density 1.05 Notes/bar  
Median Swing Ratio 1.46:1 Ratio of longer to shorter eighth of beats with binary subdivision.
Metrical Centroid 4 Mean concentration of events in the bar, rounded and normalized to 4/4.
Syncopicity 34.0 % Share of syncopated notes.
Ambitus 53-80 (27) Min/max and range of MIDI pitches.
Extrema ratio 38.8 % Share of notes with direction reversal (i.e, minima and maxima of pitch contour).

Extended Chordal Diatonic Pitch Class Histogram

../../_images/OrnetteColeman_Ramblin'_CDPCX_hist.png

Extended Chordal Diatonic Pitch Class is calculated in reference to the underlying chord.

Pitch Class Histogram

../../_images/OrnetteColeman_Ramblin'_PC_hist.png

MIDI Pitch Histogram

../../_images/OrnetteColeman_Ramblin'_PITCH_hist.png

Semitone Interval Histogram

../../_images/OrnetteColeman_Ramblin'_INT_hist.png

Refined Contour Histogram

../../_images/OrnetteColeman_Ramblin'_FUZZYINT_hist.png

Also known as “fuzzy intervals” or interval classification. See here for definition of classes

Metrical Circle Map (N=48) Histogram

../../_images/OrnetteColeman_Ramblin'_MCM_hist.png

Metrical circle maps divides the bar duration into equal sized bins (48 in this case) and maps metrical positions to the corresponding bin. (Labels normalized to 4/4 measure).

Duration Class (Abs. and Rel.) Histogram

../../_images/OrnetteColeman_Ramblin'_DURCLASS_hist.png

Relative duration classes are based on the duration of the beat. Absolute duration classes are based on 120 bpm. See here for a definition of classes.

Midlevel Analysis Main Types Histogram

../../_images/OrnetteColeman_Ramblin'_MLA_hist.png

Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper

More Info