Woody Shaw “Rosewood”

Discographic Information

Instrument tp
Total Duration 95.8 s
Position in Track 03:28-05:03
Album Title Rosewood
Label Columbia (Legacy) (CB 741)
Recording Date 1977-12-15
Line Up Woody Shaw (tp, flgn); Joe Henderson (ts); Onaje Allan Gumbs (p); Clint Houston (b); Victor Lewis (dr)
Style POSTBOP
Key  
Signature 4/4
Groove/Feel LATIN/FUNK
Tonality Class COLOR
MusicBrainz ID 633aebd9-f933-4069-afac-adba180ba5f2
More Info Wikipedia

Piano Roll

../../_images/PianoRoll_WoodyShaw_Rosewood.jpg

MIDI

Download MIDI File

Transcription

Chord changes of solo:

A1: ||G-79 F-79 |G-79 F-79 |C-79 Bb-79 |Gb79   |G-79 F-79 |G-79 F-79 |C-79 Bb-79 |Gbj79   |Abj79   |Abj79   |Ab-79   |Db79 G7911# |Gbj79   |Gbj79   |B79   |Esus79 E79 ||
B1: ||C-79 Bb-79 |C-79 Bb-79 |Gbj79 Ej7 |Dj7911#   |C-79 Bb-79 |C-79 Bb-79 |Gbj7 Ej7 |Dj7911#   |Bsus7 Asus7 |Bsus7 Asus7 |Gsus7 Fsus7 |Gsus7 Fsus7 |Bb-7   ||
C1: ||A-7911   |A-7911   |A-7911 A6 |A6   |A6 Bb79 |Bb79   |Bb6 Ab-7 |Gsus7 Absus7 ||
A2: ||G-79 F-79 |G-79 F-79 |C-7 Bb-7 |Gbj79   |G-79 F-79 |G-79 F-79 |C-79 Bb-79 |Gbj79   |Abj79   |Abj79   |Ab-79   |Db79 G7911# |Gbj79   |Gbj79   |B79   |E79   |C-79 Bb-79 |C-79 Bb79 |Gbj7 Ej7 |Dj7911#   |C-79 Bb-79 |C-79 Bb-79 |Gbj7 Ej7 |Ej7911#   |Csus7 Absus7 |Absus7   |Csus7 Absus7 |Csus7 Absus7 |Absus7   |Csus7   |Absus7   |Csus7 Absus7 ||
I1:

Statistics

Features

Number of Notes 465  
Number of Bars 69 bars  
Number of Choruses 1  
Mean Tempo 171.7 (MEDIUM UP)  
Event Density 4.86 Notes/s  
Metrical Event Density 6.78 Notes/bar  
Median Swing Ratio 1.21:1 Ratio of longer to shorter eighth of beats with binary subdivision.
Metrical Centroid 1+ Mean concentration of events in the bar, rounded and normalized to 4/4.
Syncopicity 29.5 % Share of syncopated notes.
Ambitus 54-86 (32) Min/max and range of MIDI pitches.
Extrema ratio 39.1 % Share of notes with direction reversal (i.e, minima and maxima of pitch contour).

Extended Chordal Diatonic Pitch Class Histogram

../../_images/WoodyShaw_Rosewood_CDPCX_hist.png

Extended Chordal Diatonic Pitch Class is calculated in reference to the underlying chord.

Pitch Class Histogram

../../_images/WoodyShaw_Rosewood_PC_hist.png

MIDI Pitch Histogram

../../_images/WoodyShaw_Rosewood_PITCH_hist.png

Semitone Interval Histogram

../../_images/WoodyShaw_Rosewood_INT_hist.png

Refined Contour Histogram

../../_images/WoodyShaw_Rosewood_FUZZYINT_hist.png

Also known as “fuzzy intervals” or interval classification. See here for definition of classes

Metrical Circle Map (N=48) Histogram

../../_images/WoodyShaw_Rosewood_MCM_hist.png

Metrical circle maps divides the bar duration into equal sized bins (48 in this case) and maps metrical positions to the corresponding bin. (Labels normalized to 4/4 measure).

Duration Class (Abs. and Rel.) Histogram

../../_images/WoodyShaw_Rosewood_DURCLASS_hist.png

Relative duration classes are based on the duration of the beat. Absolute duration classes are based on 120 bpm. See here for a definition of classes.

Midlevel Analysis Main Types Histogram

../../_images/WoodyShaw_Rosewood_MLA_hist.png

Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper

More Info